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Maggie Dickman

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An Introduction To Mocklove And Their New EP, ‘It’s A Sacred Privilege To Walk Someone Home’

March 24, 2017

Sometimes it takes finding out what you’re not to figure out what you are. That seems to be the case for post-hardcore band Mocklove who, with the release of their new EP, It’s A Sacred Privilege To Walk Someone Home, are ready to give the world a proper introduction to the band they want to be.

“It’s A Sacred Privilege To Walk Someone Home is like our, 'Hello, this is Mocklove' sticker,” vocalist Madelyn Munsell explains. “We’re introducing ourselves—in a good way this time.”

Following an indie/alt demo last year, Mocklove realized soon enough that they weren’t going in a sonic direction they wanted to be heading. They were creating music, but they weren't advancing their relationship as a band, creating an image they wanted, and, even more, weren't even a fan of the music they were producing.

Cue a pull to their heavier roots, and they finally found it: the Mocklove they wanted to be.

“The first song we wrote going in this new direction was actually ‘Mnemophobia,’ which we put out last September, and then we wrote a couple more songs and incorporated those into our live sets,” guitarist Nick DeBrodie says. “Then we just thought about what songs we really want people to hear and associate with us.”

“The thing that sold us on this different direction was what we were doing,” guitarist Rand Olson says. “I didn’t really like our old songs. We started writing these new ones and I was like, ‘Woah. This is awesome.’ I’m actually happy with the product we’re coming out with.”

“It’s good to like your own music,” Munsell agrees, laughing.

It only makes sense that they would hone in on this newfound power in their new EP. And that they did.

We're in Austin, TX tonight at Dirty Dog Bar! Doors open at 8 and it's a FREE SHOW!! Stoked to play with @thecheyenneline @goldstepsatx and @hitting_subset. Come hang! . 📷 / / @walterlyle

A post shared by Mocklove (@mockloveband) on Jan 6, 2017 at 11:06am PST

Channeling influences from the likes of Counterparts and 2005-era Paramore, Munsell’s powerhouse vocals grab you at the start with “Soots.” Instruments bite hard, proving their ever-apparent musical muscle. And it's the goosebump-inducing track “It's A Sacred Privilege” that brings the contemplative aspect of the EP to life.

It’s A Sacred Privilege To Walk Someone Home explores the ideas behind life, death and the transition in between. It’s about the understanding that it’s so easy to take our best moments for granted. And, even more, it’s about the beauty of being there for someone through the hardest of times.

“For me, the idea for the EP title, It’s A Sacred Privilege To Walk Someone Home, really hit me when we first brought that idea up because at the time, I was actually singing in a choir where we were talking about what is it like to be with someone as they take their last breath,” Munsell explains. “What does that feel like, and what does that mean?

“So when Nick brought up It’s A Sacred Privilege To Walk Someone Home, I never realized how special it is to be there with someone as they transition from what they were into what they could be and what they can be and what they will be. It really is special to be with someone in that transition period and help them grow, so that’s what I get from it. And that’s what we’ve been through within the last couple of months.”

“Yeah, and I think it’s acknowledging that there is an end to this and to live in the moment and make the most of what you have and what’s going on,” Olson says.

“Even if it’s total shit,” Munsell says in agreement.

“Yes, like our first show,” DeBrodie laughs.

Since their 2016 start, they’ve solidified their sound. They’ve found their emotional connection through their powerful live performances. And, most importantly, they became friends.

The band laugh about their first show and cringe at their first demo, but when asked what changed the most from their start, they agree that they finally understand each other and the importance of cultivating their relationship through it all.

“Honestly, we became friends with each other,” Munsell says. “When we first started, we knew each other, but we weren’t nearly as close as we are now. Getting closer has given us the opportunity to become more intimate with our music, and it helps create a more cohesive product. We’ve become so much closer and we are more honest with ourselves.”

With summer tours and a brand new music video in the works, Mocklove have the music to take them where they want to go.

And if anything is clear, It’s A Sacred Privilege To Walk Someone Home is just the beginning.

“We’re going to sink our teeth into this EP, and we’re going to ride it out as far as we can,” DeBrodie says. “But I certainly don’t think this is our cap. With this EP, it’s just a great start to whatever lies ahead.”

Want more from Mocklove? Pick up a copy of It’s A Sacred Privilege To Walk Someone Home here, and check out their track listing and album artwork below.

Track listing:
1. Soots
2. Mnemophobia
3. It’s A Sacred Privilege...
4. MVMTs
5. ...To Walk Someone Home

 

 

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My picks: 16 albums and 16 EPs of 2016

December 27, 2016

With the end of another year comes another (impossible) task of picking the records that influenced me the most during 2016. (Of course, there were more than 32 records that I blasted this year—for a full list of favorites, check out my Spotify playlist at the end.)

In alphabetical order, here are the 16 albums and 16 EPs that I couldn't get enough of in 2016. Happy listening.

My Picks: Albums of 2016

The 1975—I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It

'Somebody Else' from The 1975's new album, 'I like it when you sleep, for you are so beautiful yet so unaware of it'. Out now - http://the1975.com

Why you should listen: The 1975’s sophomore effort is the alt-pop record that took everything I loved about the self-titled and tossed in an extra dash of ‘80s influence to tie it all together in an album that reverberates off every heartstring.
My pick: “She’s American”

Against The Current—In Our Bones

OFFICIAL MUSIC VIDEO // AGAINST THE CURRENT - YOUNG & RELENTLESS FROM THEIR DEBUT ALBUM IN OUR BONES OUR DEBUT ALBUM IN OUR BONES IS OUT NOW! - http://smarturl.it/atcinourbones OFFICIAL AGAINST THE CURRENT MERCH - http://smarturl.it/atcmerch IN OUR BONES WORLD TOUR TICKETS + VIP ON SALE NOW!- http://smarturl.it/iobtour Thanks to the incredible Djay Brawner for once again helping us make an awesome video!

Why you should listen: Against The Current’s sugary sweet debut album bleeds everything a solid pop-rock record should: catchy anthems, vocal charm and a ready-to-dance-along beat. (Read my full write-up for AltPress here.)
My pick: “Forget Me Now”

Bad Suns—Disappear Here

The New Album 'Disappear Here' Available Now.

Why you should listen: Hook-heavy pop/indie rockers Bad Suns seemed to have continued in the trajectory from where their freshman record left off—the catchy riffs and a thoroughly addictive beat, all melted together with Bowman’s dreamy vocals, has been on repeat since its September release.
My pick: “Daft Pretty Boys”

Bastille—Wild World

"WILD WORLD" is OUT NOW! | Listen and share on Spotify http://po.st/WWsP | Listen and share on Apple Music http://po.st/WWaPP | Download on iTunes http://po.st/WWiT Say hi to the Bastille Facebook Messenger Bot here for more information on new music from Bastille:http://po.st/BASTILLEBOT Join Bastille online: https://www.facebook.com/bastilleuk https://twitter.com/bastilledan http://bastilleuk.tumblr.com/ http://instagram.com/bastilledan/ http://soundcloud.com/bastilleuk

Why you should listen: Brits Bastille continued their blur between pop and rock (and hell, taking a deeper stab at EDM) sensibilities with their second full-length—with a bigger sound that lives up to the success of Bad Blood, Dan Smith’s catchy, poignant tunes have found a way into my playlist (and memory) once again. (And film lovers, take note—Smith's continued arts & culture references are utterly brilliant.) 
My pick: “The Currents”

Chase Huglin—You Deserve An Island

Off of the album "You Deserve An Island" out September 30th CD/LP: http://bit.ly/chasehuglin iTunes: http://apple.co/2aQXmfH Distributed by WMG --- Niagara Falls looks lonely when it is cold outside and I know why my favorite memory resides inside You tasted sweet it left an imprint on me in the passenger seat

Why you should listen: Chase Huglin’s You Deserve An Island doesn’t stray from Huglin’s lush, endearing acoustic tunes that we’ve grown to love. But it’s evident that there’s a special precision, with each track existing as a piece of standalone art, but combined, each individual song creates a storyline that progresses fluidly from start to finish. (Read my full review here.)
My pick: “Here Right Now”

Fossil Youth—A Glimpse Of Self Joy

'A Glimpse of Self Joy' 12" Vinyl/CS/CD/Digital out now through Take This To Heart Records. http://www.takethistoheartrecords.com/ http://www.fossilyouth.com/ Vinyl/CS/CD - http://bit.ly/AGOSJ Spotify - http://bit.ly/FYspotify iTunes/Apple Music - http://bit.ly/iTunesAGOSJ Bandcamp - http://bit.ly/AGOSJBandcamp Directed/Shot by Brandon Warnock and Johnathon Booker.

Why you should listen: Though Fossil Youth’s record is tinged with an introspective take on personal heartbreak and finding yourself, it thrives in its raw relatability. It’s brutally honest, a sincere effort from a band who has already taken it to the next level. (Read my full review here.)
My pick: “Late Night Swim”

Microwave—Much Love

From Microwave's new album MUCH LOVE, out September 30. Pre-order now at http://www.mcrwv.com Thank you to everyone who offered us their time, stories, and talents for this video. Director - Kyle Thrash Producer - Ian Ross Director of Photography - Ben Carey Colorist - Samuel Gursky

Why you should listen: In a year filled with stellar sophomore efforts, nothing seemed to blow me away more than Microwave’s Much Love—intricate guitar and smooth as silk hooks meld perfectly into Nathan Hardy’s cozy yet distressing vocals, which seemingly embody every bit of doubt and raw intensity of simply trying to figure it out, making it one of the most relevant releases of my 2016.
My pick: “Whimper”

Modern Baseball—Holy Ghost

Official Music Video for 'Wedding Singer' by Modern Baseball from the album 'Holy Ghost' out May 13, 2016 on Run For Cover, Big Scary Monsters (UK/EU) and Cooking Vinyl Australia.

Why you should listen: Jake Ewald and Brendan Lukens split is brought together through love and loss and every struggle along the way—it’s an all-embracing, vocal reminder that none of us are going at it alone, no matter how shit life may be.
My pick: “Mass”

Moose Blood—Blush

The official music video for Moose Blood's single 'Honey' off the upcoming album "Blush"! ► Preorder Blush on iTunes: http://smarturl.it/MBBlush ► Get this album on Google Play -https://play.google.com/store/music/album/Moose_Blood_Blush?id=B4dw4fh3yi4n4dv3hwyxiqhdmr4&hl=it ► Preorder Exclusive Merch Bundles: http://smarturl.it/MooseBloodMerch ► Listen to 'Honey' and more by Moose Blood on Spotify: hopel.es/29a9Z3B --- Directed by Lewis Cater.

Why you should listen: After a successful run supporting I'll Keep You In Mind, From Time To Time, Moose Blood’s Blush combines everything to make it my favorite album of the year: striking lyrics, fluid guitar and Brewerton’s emotive vocals that remind us just why we fell in love with the emo-rockers in the first place.
My pick: “Honey”

Panic! At The Disco—Death Of A Bachelor

Panic! At The Disco's official video for 'Don't Threaten Me With A Good Time'. New album Death Of A Bachelor available now on DCD2 / Fueled By Ramen.

Why you should listen: Expertly walking the line between magical pop-rock and Sinatra-inspired classic, Panic! At The Disco proves that Urie can find a way to blend both old and new—without ever losing the extraordinary songwriting and theatrics that we fell in love with in the first place. (Read my review of the music video for “Don’t Threaten Me With A Good Time” here.)
My pick: “House Of Memories”

Pinegrove—Cardinal

Tour video for 'New Friends' by Pinegrove from the album 'Cardinal' out now on Run For Cover Records. Compiled by Run For Cover & Pinegrove.

Why you should listen: Pinegrove’s Cardinal seems to bring with it a dose of heartbreak and happiness all at the same time—bleeding sincerity, everything from the twanging guitar and mesmerizing lyricism make you consider every relationship, of special relevance when you’re just trying to figure it out (like me).
My pick: “New Friends”

PUP—The Dream Is Over

"THE DREAM IS OVER" out now via SideOneDummy & Royal Mountain Records. Stream: http://hyperurl.co/PUPTDIO iTunes: http://apple.co/2g21707 http://www.puptheband.com Video directed by Jeremy Schaulin-Rioux. Produced by Mad Ruk Entertainment. Full Credits: http://i.imgur.com/kGQjXil.jpg Produced with the financial assistance of MuchFACT, a division of Bell Media Inc. http://www.muchfact.ca Produced with the co-operation of the Union of B.C.

Why you should listen: Canadian punks PUP have thrown us one of the most blunt and fiery albums of the year—trenchant lyrics, screaming guitars and vocals to match all come to a close with a collective sigh to prove that PUP have made an album that we simply needed.
My pick: “Can’t Win”

ROAM—Backbone

The official music video for ROAM's song "Deadweight [feat. Matt Wilson]" off the debut full-length album 'Backbone' out now on Hopeless Records!

Why you should listen: ROAM deliver irresistibly gruff vocals, riffy guitars and thundering rhythms, with tracks like “Head Rush” booming with serious pop-punk finesse alongside songs like “Tracks” proving that they can slow it down for an acoustic track just like the best of them. (Read my full write-up for AltPress here.)
My pick: “Deadweight”

SWMRS—Drive North

SWMRS official music video for the song 'Palm Trees' from the debut record Drive North - available now on iTunes: http://flyt.it/DriveNorth Pick up Drive North on... iTunes: http://flyt.it/DriveNorth Google Play: http://flyt.it/DriveNorth-gp Amazon: http://flyt.it/DriveNorth-AZ Stream it on Spotify: http://flyt.it/DriveNorth-sp find SWMRS on...

Why you should listen: Bleeding California, SWMRS produced an album that carries the riffs, rhythms and tongue-in-cheek lyricism all blended together with a hint of Cali cool that kept these punks on my playlist all year long.
My pick: “Palm Trees”

Tiny Moving Parts—Celebrate

Tiny Moving Parts - "Headache" from the album Celebrate out now Order now Itunes http://apple.co/23idpqk Bandcamp http://bit.ly/1OBZH5r LP & CD http://bit.ly/1prGxsZ Amazon http://amzn.to/1YIvTd3 Director & Editor / Kyle Thrash Producer / Ian Ross, Kyle Thrash DP / John Komar Gaffer / Jacob Overholt AC / Jordan Alazruei Colorist / Samuel Gursky Connect with Tiny Moving Parts http://tinymovingparts.com/ https://www.facebook.com/tinymovingparts https://twitter.com/tinymovingparts https://www.instagram.com/tinymovingparts/

Why you should listen: The album of the year contender bleeds the energy of a basement party overflowing with cheap booze, authenticating the idea that life is all about perspective. (Keep an eye out for my profile on Tiny Moving Parts for Track 7, launching next month.)
My pick: “Breathe Deep”

Waterparks—Double Dare

"Stupid For You" is from Waterparks' new album, Double Dare, available now.

Why you should listen: Waterparks are basically impossible to throw into a set genre, and that’s why you’ve gotta love ‘em—with an electronic take on pop punk, the band proves they can both knock up the dance-ability with tracks like “Take Her To The Moon” and slow it down in tracks like “21 Questions” with total ease.
My pick: “Gloom Boys”

My Picks: EPs of 2016

Beach Weather—Chit Chat

Music video for Home Movies (Audio) performed by Beach Weather. http://beachweathermusic.com https://www.facebook.com/beachweathermusic https://www.instagram.com/beachweather/ https://itunes.apple.com/us/album/chit-chat-ep/id1162013426 Copyright (C) 2016 Beach Weather Music. http://vevo.ly/XqKJo1

Why you should listen: Beach Weather released an EP in November that I can only wish was released back in June—it bleeds summer with the searing hooks and Santino’s irresistible vocals, making it the perfect addition to any playlist in next year's beach weather.
My pick: “Goddess”

Bonfires—A Reason To Get Home

"A Reason To Get Home" EP available NOW on iTunes, Spotify, and Apple Music.

Why you should listen: A Reason To Get Home is everything we could have wanted from Bonfires—poignant lyrics blended with Harvey’s sandpaper-rough vocals, backed by potent guitar and clean rhythms. If this EP proves anything, it’s that this band has taken a distinctive step towards a more emo-driven rock at the core, making me all the more excited to see where the band goes from here. (Read my previous review here.)
My pick: “Sympathy”

Can’t Swim—Death Deserves A Name

CD Vinyl/Merch: http://smarturl.it/CantSwim iTunes: http://geni.us/DDAN?app=itunes Germany: https://www.facebook.com/cantswim/videos/1072130182869723/ Facebook: https://www.facebook.com/cantswim Twitter: https://twitter.com/cantswim_ Directed by Brendan Walter Actors: Richard Roddy & Ella Devine Come Home Lyrics COME HOME Heard everything on the first floor Where they said you were rushed from your front door So please tell me where Ran up the

Why you should listen: You would ever guess that this is Can’t Swim’s first-ever release—or that they have hardly been a band for a year at this point. Each track on Death Deserves A Name lingers with a kind of dark, impassioned honesty that leaves me excitedly anticipating the group's debut full-length, Fail You Again. (Keep an eye out for my profile on Can't Swim for Track 7, launching next month.)
My pick: “Right Choice”

Creeper—The Stranger

Our debut album 'Eternity, In Your Arms' is available to pre-order now at http://www.creepercult.com/ The album will be released on March 24 on Roadrunner Records. + Vinyl/CD exclusive merch bundles http://smarturl.it/creeperstore + iTunes (instant download of Suzanne with album pre-order) http://smarturl.it/EIYAiTunes + CD http://smarturl.it/EIYACD Subscribe to our YouTube Channel right here http://po.st/WEARECREEPERTV http://www.creepercult.com/ https://www.facebook.com/creepercult https://twitter.com/creepercultuk http://po.st/CreeperSpotify 'Black Mass' lyrics: Madeline, your friends don't understand the thing we have.

Why you should listen: Creeper should have been the band of 2016—The Stranger proves these Brit punks have the intricate strings, expert lyricism and vocal vivacity that seemingly embody the fact that misery never goes out of style—not as though we’d want it to.
My pick: “Valentine”

The Happy Alright—Vacancies

"Parking Garage" performed by The Happy Alright. Directed by Sterling Gavinski, Andrew Oh, and Gus Rives. Our new EP "Vacancies" comes out March 4th! http://www.thehappyalright.bandcamp.com

Why you should listen: Stretching across indie rock and pop-punk lines, Vacancies proves that The Happy Alright are finding their own niche in a genre where it's easy to become monotonous—a blend that’s as captivating as it is charming. (Read my profile with The Happy Alright here.)
My pick: “Throwing Darts”

Homesafe—Evermore

Homesafe "Relapse" from the new EP Evermore available everywhere now! Directed by Michael Rumchaks and Calen Smith @ shiftydimensions.com Get the newest EP "Evermore" on Apple Music: https://itunes.apple.com/us/album/evermore/id1182512822 Spotify: https://open.spotify.com/album/6xSrwZf7TiASxwQYsCHfxB Bandcamp: https://homesafeil.bandcamp.com/album/evermore MERCH / MUSIC / SHOWS / NEWS / MORE: http://homesafeil.com SOCIAL: http://twitter.com/homesafeil http://facebook.com/homesafeil IG: @homesafeil

Why you should listen: With piercing vocals, poignant lyrics and searing guitar riffs, Homesafe are growing with their sound—Evermore could easily be the record to propel the band forward in the most powerful way. (Read the premiere I wrote for AltPress here.)
My pick: “Exoneration”

Hot Mulligan—Opportunities

Thanks for everything ❤️ 📷: @michaelherrick_

See this Instagram photo by @hotmulligan * 130 likes

Why you should listen: Michigan emo-rockers Hot Mulligan’s end of year release melds intricate strings and subtle-yet-powerful percussion, all packed with poignant lyricism, proving they are exactly what we'd want (and need) to close out this year of releases with a bang.
My pick: “Wait For It”

The Japanese House—Swim Against The Tide

The Japanese House - Face Like Thunder Available Now - http://www.thejapanesehouse.com Directed by Gareth Phillips http://vevo.ly/TpA3XU

Why you should listen: With every release, The Japanese House somehow finds a way to transport listeners to a world all her own. Amber Bain's strikingly euphoric aesthetic is once again achieved, and even expanded, in her infectious synth-pop 2016 release.
My pick: “Face Like Thunder”

Kayak Jones—Flawed

Kayak Jones: Facebook: https://www.facebook.com/kayakjonesIA/ Bandcamp: https://kayakjones.bandcamp.com/ Twitter: https://twitter.com/kayakjonesia My Parents' Basement Sessions: Facebook: https://www.facebook.com/mpbsessions Twitter:https://twitter.com/mpbsessions

Why you should listen: In an impressive release from my home state’s own Kayak Jones, the quartet prove that they have made their mark—with intricate strings and subtly driving rhythms all sealed with Tyler Zumhof’s impassioned vocals, we already can’t wait to see what their next move might be.
My pick: “It Hurt A Little”

LANY—kinda

Get "yea, babe, no way" on iTunes: http://smarturl.it/YeaBabeNoWay Or listen on Spotify: http://smarturl.it/YeaBabeNoWay.sp Live dates at http://www.thisislany.com Sign up here to be the first to hear about new music and shows: http://po.st/LANYsignup https://www.facebook.com/thisislany https://twitter.com/thisislany https://www.instagram.com/thisislany

Why you should listen: After finally stumbling upon LANY this summer, I realized there is no better time for that to have happened—the Cali group’s dreamy pop sound and Klein’s romantic vocals make me wonder if it’s possible to have a crush on a song, because if I could, that song would be “pink skies.” (Editor’s note: I have no shame in admitting this.)
My pick: “pink skies”

Life Lessons—I Know What I'm Not

From the EP "I Know What I'm Not" out July 1st, 2016. Spotify, iTunes, Apple Music, Bandcamp - Collect your bags, your clothes, your makeup forget the good things for the sake of making me feel like I'm made of stone What's so wrong that your first thought is I should leave?

Why you should listen: If Life Lessons isn’t on your radar yet, this year proves that they should be—I Know What I'm Not exudes everything a pop-punk record should: ardent vocals, dynamic guitar and driving rhythms, all oozing emotive lyricism that demands to be blasted at full volume. (Read my profile of Life Lessons here.)
My pick: “Reflecting” (or “Reflection” if you’re feeling extra emotional)

Movements—Outgrown Things

ITUNES: http://smarturl.it/outgrownep Taken from the debut EP 'Outgrown Things' available now. Stay connected: http://movementsofficial.com https://www.facebook.com/movementsca https://twitter.com/movementsca https://www.instagram.com/movementsof...

Why you should listen: Infused with La Dispute-inspired post-hardcore prose, and Balance and Composure’s emo-soaked rock, Movements pull from elements that are equal parts emotionally enthralling and brutally honest. (Read my full profile with Movements for CLRVYNT here.)
My pick: “Worst Wishes”

Sleep On It—Lost Along The Way

"See You Around" is from Sleep On It's new EP, Lost Along the Way.

Why you should listen: 2016 has been the year for Chicago alt rockers Sleep On It—after their introductory “Burning At Both Ends” in early 2016, Lost Along The Way gives us spirited choruses and empowering lyrics tied together with a pop-inspired energy, clearly promising something incredible for their debut full-length set to be released in 2017.
My pick: “See You Around”

Sorority Noise—It Kindly Stopped For Me

Cameron Boucher of Sorority Noises performs "Either Way" off their upcoming EP 'It Kindly Stopped For Me', releasing April 22, 2016 on Topshelf Records. Filmed March 8, 2016 in Philadelphia, Pennsylvania. Video shot and edited by Andrew Piccone and Mark Tumas. Special thanks to Andrew Waggoner and Steve West for location assistance.

Why you should listen: It Kindly Stopped For Me may be an emotional 11-minute listen, but the lullaby-like ambiance with a subdued kind of sadness streams fragile tears through speakers—it’s emotional, introspective and, most importantly, an honestly empathetic look at loss.
My pick: “Fource”

Tiny Kingdoms—I'll Wait Around

Make sure to download the track and share it with your friends! https://soundcloud.com/whelmedrecords/tiny-kingdoms-odds Tiny Kingdoms goes acoustic with their new EP, "I'll Wait Around", this November! Pre-Order "I'll Wait Around" today!

Why you should listen: Taking an acoustic spin on their most recent release, Tiny Kingdoms’ I'll Wait Around is a thunderstorm of emotion, presenting an emotionally-driven, openly raw side of the band from the powerful Stay, released earlier this year.
My pick: “Odds”

The Weekend Classic—When You Had Nothing / Forever Is Irrelevant

The Weekend Classic - Shattered Glass Directed by Vince Lundi - http://www.vincelundi.com iTunes: https://itunes.apple.com/us/album/shattered-glass-single/id1035801567 Facebook: http://www.facebook.com/theweekendclassic Twitter: http://www.twitter.com/weekendclassic Instagram: http://www.instagram.com/theweekendclassic Bandcamp: http://theweekendclassic.bandcamp.com

Why you should listen: Forever Is Irrelevant delivers anything a good pop-punk record should—intricate riffs, hard-hitting rhythms and fervent vocals. But their September release, When You Had Nothing, propelled the group forward with a sharper sound that’s distinctly their own. (Read my profile with The Weekend Classic here.)
My pick: “Monachopsis”

What are your thoughts on my end-of-year picks? Let me know what you think by shooting me a Tweet: @Maggie_Dickman.

Tags review
Photo Credit: Night Terrors

Photo Credit: Night Terrors

Night Terrors: On influences, pop punk and new music—listen

November 23, 2016

Chicago has given us some of the biggest bands in the scene. Toss in Real Friends and Knuckle Puck’s recent successes, and it’s evident that the city is a band breeding ground.

It's no surprise that Chicago suburbanites Night Terrors’ newest release, Melanie/Island (Wasting Away), is infused with the city's dynamic pop punk—in the best possible way.

Reflecting back on where it all began, Night Terrors’ Dave Gomez (vocals/bass) cites his biggest influencer as Blue Island’s own, Mest. The combination live energy and performance was enough for Gomez to actually imagine a future in music.

“At a really early age, I knew it was one of those things that if they can do it, then I can do it.”

“Even beyond bands like Blink or Green Day because a lot of people don’t even look at them like people. People look at them as legends, if you will,” Gomez says. “So to see a band from the area actually go on the road and make records? At a really early age, I knew it was one of those things that if they can do it, then I can do it.”

And it’s clear that Night Terrors can do it. Melanie/Island (Wasting Away) bleeds the best of pop punk, with bold strings and hard-hitting percussion perfectly blended with angst-soaked lyrics and Gomez’s commanding vocal vigor.

Not only has the Chicago scene seemingly influenced Night Terrors’ sound—the scene, quite literally, worked its way onto the release itself. 

Featuring the likes of Real Friends’ Dave Knox, Bonfires’ Kevin Provencher and 7 Minutes In Heavens’ Alex Rogers, Gomez had the chance to work with a few of his friends—who just happen to be some of the most influential names in Chicago music.

“It’s kind of weird because it was kind of an accident,” Gomez says. “In the Chicago scene, everyone just kind of knows each other. It doesn’t even matter how far away you live—somebody knows somebody who played a show with somebody.” 

Those somebodies came together and produced a set of songs that could easily lead the pop-punk pack. And though Night Terrors is just getting started, the final product has been a long time coming. “I started this like honestly three years ago,” Gomez says. “I started really trying to hone in on what I wanted to do with songwriting and stuff like that, what I really wanted to say and what I wanted it to be. It took a long time—it took a very long time—but I feel like it’s all leading up to this point.”

So what’s there to expect looking ahead?

“I’m hoping to take over the world,” Gomez says, laughing. With Melanie/Island (Wasting Away), he simply wanted a release that would produce some kind of feeling. And if these tracks prove anything, it’s that Night Terrors accomplished that and more.

“It was honestly 100 percent just about getting something that 12-year-old me would be stoked on.”

“It wasn’t really about ‘Oh my god, I need to sell a bunch of records or play big venues.’ It was honestly 100 percent just about getting something that 12-year-old me would be stoked on,” Gomez says. “I think lately, for the best, I just really didn’t give a shit. I was just like, ‘I’m going to write what I want to write’ and see where it goes. And because of that, I feel like I made something I’m really proud of.”

Melanie/Island (Wasting Away) proves that Night Terrors has plenty to look forward to. With a new found sound and new music promised for 2017, it’s clear that this is only the beginning.

Pick up Melanie/Island (Wasting Away) on Bandcamp or iTunes, and follow Night Terrors on social using the links below.

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In Band Profile Tags band, night terrors, profile

The Happy Alright: On looking ahead and finding their sound + tour announcement

October 31, 2016

There’s nothing like having your van break down on tour—especially when you’re in Maryland and end up driving 25 hours straight back to Texas. “God rest its soul, my poor van died in Maryland,” bassist Mason Steeger says. “We had to figure that out, but up until that point, tour was phenomenal.”

And it’s those phenomenal moments that keeps Texas-based The Happy Alright going. The group spent the summer on the road with their biggest run to date, and the fact that they were across the country and people knew their lyrics?

Unreal.

“People were showing up and singing along in Long Island,” Steeger says. “It was just wild. We were 1500 miles away from home, and people know the words that we wrote.”

Sterling Gavinski (guitar/vocals) chimes in with agreement. “It’s something that you can imagine, like that would be really cool to happen, but it probably never will. So when it happens, you’re like ‘Holy cow, we can keep doing this and this could be a real thing that happens in our lives.’”

With their most recent release, Vacancies, it’s clear that the response is well deserved. Stretching across indie rock and pop punk lines, the EP proves that they're finding their own niche in a genre where it's easy to become monotonous. “Church Steps” opens the EP with a certain emo-drive, carrying riffs and fervent vocals through the rest of the record in a blend that’s as captivating as it is charming.

And since their start back in 2011, they've solidified their lineup and figured out what direction they're hoping to head. Now it's all about honing in on that for their next release.

"Vacancies was the first time we wrote fully as a band, so I feel like with that we were really able to kind of hone in on what we wanted to hear and what we wanted to play,” Gavinski says. “We want it to be refreshing. We want it to be something new, something that will excite people who are kind of bored with listening to like the same type of bands.”

It's clear they're headed in the right direction to make that refreshing new record a reality.  Combining musical muscle and experiences that have helped them grow into the band they are today, The Happy Alright are prepped for whatever comes next—especially considering the supportive scene they've surrounded themselves with.

“Being in a band, you kind of understand other people’s lives and your own life and how multiple lives can come together and be one life in a way,” Gavinski says. “We’ve made a lot of awesome friends and people who just give endlessly… It’s insane. It’s really cool to evolve alongside people and see where they go.”

With another tour coming at the end of November (dates listed below), plus a new record, music videos and more touring on tap for 2017, it's clear the group is on the path to something great.

“16 Grammys,” Gavinski says, laughing.

Steeger ups it. “I’m thinking 17.”

Though it may not be a Grammy (or 17), they are ready to put 100 percent into The Happy Alright come next year.

“We’re just [planning on] taking it as far as we can by putting in all of our energy and all of our time,” Gavinski says. “Honestly, I believe that’s something we could do, you know? We have to be on top of it. We have to work hard, which is something that we’ve been doing on top of school and everything.”

And clearly, these guys are determined. Van breakdowns and all, nothing is slowing The Happy Alright down.

Want more from The Happy Alright? Pick up a copy of Vacancies here, and catch them on tour with Hold Close and Rose Gold in November. Check out the tour dates and their social links below.

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Tour dates:
11/23: Dallas, TX—The Door
11/25: Norman, OK—Earth Rebirth
11/26: Lawrence, KS—House Show
11/27: Springfield, MO—Outland Bar

In Band Profile, Tour Announcement Tags the happy alright
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Photo credit: Chris Bodell

Review: Fossil Youth’s ‘A Glimpse Of Self Joy’

October 30, 2016

It’s not very often that an entire record can carry you on an emotional journey from start to finish. Yet that’s exactly what Oklahoma-based rockers Fossil Youth’s A Glimpse Of Self Joy seems to do. Not straying from their impressive 2015 EP Intertwined With You, their debut instead expands on it in a way that proves they’re the up-and-coming emo/indie rock band to keep your eyes on.

Dipping their toes in pop punk and indie rock with an emo energy lacing it all together, Fossil Youth pull out the best elements from each genre and remind us that they’re not trying to create something that’s already been done.

Instead, their sound is saturated with pounding rhythms layered with stinging riffs. Toss in Noonan’s entrancing and emotionally raw vocals, and you hear exactly why A Glimpse Of Self Joy is a standout record.

However, it’s the lyrical journey from start to finish that truly makes the album. The record opens with the group’s lead single “Watercolor Daydream,” which sets the tone as an ode to the uncertainties found in growing up and growing apart. Interspersed with tracks that strike every heartstring, from anxiety and emptiness to maturation and self-growth, A Glimpse Of Self Joy proves Fossil Youth have found themselves—and where they want to go from here.

Though the record is tinged with an introspective take on personal heartbreak and finding yourself, it thrives in its raw relatability. It’s brutally honest, a sincere effort from a band who has already taken it to the next level.

From pacing and arrangement to instrumentals and the all-around lyrical narrative, A Glimpse Of Self Joy is clearly set to be one of the most emotionally authentic releases of the year. Fossil Youth have paved their own path on the indie/emo rock track, and if their debut record proves anything, it’s that they’re just getting started.

Want more from Fossil Youth? Preorder A Glimpse Of Self Joy, available Nov. 4, here. Plus, it’s currently available for streaming via Alternative Press. Catch them on their west coast tour this November, and check out their social links below.

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Track listing:
Watercolor Daydream
We’re Caving In
Late Night Swim
Minco
Forest Eyes
Feel the Same
Sitting in a Spinning Room
Open Shut
Common Ghost
Monochrome
Color Coded
Linger In My Head

Tour Dates:
11/4 – Salina, KS @ House Show
11/5 – Lincoln, NE @ The Commons
11/6 – Colorado Springs, CO @ Weathertop
11/7 – Salt Lake City, UT @ The Underground
11/9 – Bremerton, WA @ The Charleston
11/10 – Olympia, WA @ Le Voyeur
11/12 – Redding, CA @ Caldwell Park
11/13 – Stockton, CA @ Blackwater Republic
11/14 – Fresno, CA - Dynamite Vinyl
11/15 – Fullerton, CA @ Programme Skate
11/16 – Murrieta, CA @ The Awakening
11/17 – Las Vegas, NV @ Mongo Push Studios
11/18 – Tempe, AZ @ 51 West
11/19 – Shiprock, NM @ MOD
11/20 – Albuquerque, NM @ Palazzo Sazzo
11/21 – Austin, TX @ Shirley’s Temple
11/22 – Houston, TX @ The Clinic
11/23 – Dallas, TX @ The Door

Get your tickets here.

In Album Review Tags fossil youth
[Photo credit: Shannon Shoemaker/Bruise]

[Photo credit: Shannon Shoemaker/Bruise]

Postcards and Bruise announce West Coast tour

October 25, 2016

Postcards and Bruise are heading out West on tour this November. A full list of dates and locations are available below.

I caught up with Christian Nichols of Bruise and Aidan Grapengeter of Postcards to fill you in on what they’ve been up to in 2016 and what they’re most looking forward to on tour.

Tour Dates:
November 10 - Denver, CO @ Marquis Theatre
November 11 - Colorado Springs, CO @ TBA
November 12 - Albuquerque, NM @ TBA
November 14 - Salt Lake City, UT @ The Borough 
November 16 - Portland, OR @ The Tardis Room
November 17 - Chico, CA @ Eaden Ballroom
November 18 - San Francisco, CA @ TBA
November 19 - Los Angeles, CA @ TBA
November 20 - Las Vegas, NV @ Mongo Push Audio
November 21 - Phoenix, AZ @ 51 West Venue
November 22 - El Paso, TX @ TBA
November 23 - San Antonio, TX @ Alamo Ice House
November 25 - Oklahoma City, OK @ Earth Rebirth
November 26 - Hutchinson, KS @ The Dive

Aidan Grapengeter, guitar/vocals, Postcards:

MD: You released a new album, My Departure, in June. How’s the response been so far? And how does it feel having another release under your belt?
AG: The response has been great! The shows here in Denver have been tons of fun. It’s totally wild to me that My Departure is our 7th release. I'm really proud of it. Its our first full length too, so that's exciting all on its own.

MD: How excited are you to tour with Bruise?
AG: Super excited!

MD: What’s one song people should check out to get to know Postcards better?
AG: My personal favorites are never everyone else's favorites. But off our new record, "Finding Common Ground" seems to be getting the most hype, and I feel like it would give a potential listener a good grasp on our sound as well.

Christian Nichols, guitar/vocals, Bruise:

MD: It looks like you’ve spent much of your year on the road, and you released Mary, Your Son Has Left Me this past summer. By the looks of it, you’ve had a pretty rad 2016 so far. How’s it been for you guys?
CN: We've spent quite a bit of time on the road so far this year and plan to keep up the momentum. It has been such a good time. The general consensus is that we really felt like we found ourselves while being out on the road. It's the best to be able to play in new places and to see so many good bands and meet such incredible people. A lot of times you hear about how tough the road is. And it is. But the pros usually outweigh any cons.

MD: How excited are you to tour with Postcards?
CN:
 We are beyond stoked to go out with Postcards. Those dudes are incredibly solid and I'm stoked we get to watch them every night for a couple of weeks.

MD: What’s one song people should check out to get to know Bruise?
CN:
 I feel that "Dead at 22" would be a proper introduction. It's a pretty transparent song in the sense that it's about a struggle all of the Bruise members deal with on a daily basis. And it was the song that really kickstarted the writing process for Mary, Your Son Has Left Me. I'd like anyone who spins our jams to have an open, honest introduction to Bruise.

Want to hear more? Find Bruise and Postcards on Bandcamp, and check out their social links below.

Postcards:
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Bruise:
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In Tour Announcement Tags postcards, bruise
chase-huglin

Review: Chase Huglin’s ‘You Deserve An Island’

September 27, 2016

Following in the footsteps of a few stellar singles and an impressive 2015 EP Glow, Chase Huglin’s debut album, You Deserve An Island, proves that he not only has a well-deserved space in the acoustic-indie scene—he also makes it clear that he has grown to deserve his place, too.

You Deserve An Island doesn’t stray from Huglin’s lush, endearing acoustic tunes that we’ve grown to love. But it’s evident that there’s a special precision, with each track existing as a piece of standalone art, but combined, each individual song creates a storyline that progresses fluidly from start to finish.

"Wind Chimes" opens the album with an almost literal breath of fresh air, and the record closes off with "Folded Hands," a heart-wrenching song about never forgetting. Interspersed with tracks that vary in pace and tone, the album's atmosphere is seemingly meant to be played live. Soothing vocals and entrancing acoustic energy are both complimented by one of the most impressive lyrical narratives I've heard this year.

The striking lyricism creates a landscape for the emotions wrought with love and loss surrounding growing up. It’s as much about asking for forgiveness and finding hope for the future as it is about drowning your pride and growing from past mistakes. It’s about learning lessons and understanding why we’re here. It’s about loving fully and falling out of it. A good song makes you question your beliefs and challenges you to understand yourself more fully—everything that Huglin nails with this release.

Taking its place in the acoustic genre as a whole, You Deserve An Island thrives in beautiful simplicity. The binding element through every track is the raw relatability that delicately pounds at your heartstrings. His stripped-down instrumentals and compelling words are saturated with the thoughts on growing up through his own experience. You Deserve an Island is about forgiving and forging ahead—and always remembering that if someone "deserves an island," making sure to acknowledge it.

Want more from Chase Huglin? Pre-order You Deserve An Island here. Catch his release show at Entourage Music in Fort Wayne, Indiana with Bonfires and September Stories on 9/27. For more details, check out the event.

InVogue Records

InVogue Records

Track listing:
1. Wind Chimes
2. Pills
3. Here Right Now
4. Niagara
5. Hell
6. Your Side Of The Bed
7. I Want To Go
8. You Deserve An Island
9. Soap Direction
10. Folded Hands

Tour dates with SayWeCanFly & more:
11/03 - Toronto, Canada // Hard Luck Bar
11/04 - Philadelphia, PA @ The Voltage Lounge
11/05 - Cambridge, MA @ Middle East
11/06 - New York, NY @ Webster Hall (Studio)
11/08 - Lakewood, OH @ The Foundry
11/09 - Pontiac, MI @ The Crofoot (Pike Room)
11/10 - Columbus, OH @ Park Street Saloon
11/11 - Chicago, IL @ Reggie’s Rock Club
11/12 - Burnsville, MN @ The Garage
11/13 - Saint Louis, MO @ Fubar
11/18 - Orangevale, CA @ The Boardwalk
11/19 - Van Nuys, CA @ White Oak
11/20 - Anaheim, CA @ Chain Reaction
11/22 - Mesa, AZ @ Nile Theater
11/23 - Albuquerque, NM @ Blu Phoenix
11/25 - San Antonio, TX @ The Korova
11/26 - Fort Worth, TX @ Tomcats West
11/27 - Houston, TX @ Scout Bar
11/29 - Orlando, FL @ Backbooth
11/30 - St Petersburg, FL @ Local 662
12/01 - Atlanta, GA @ Masquerade
12/02 - Nashville, TN @ Rocketown
12/03 - Greensboro, NC @ Arizona Pete’s
12/04 - Howell, NJ @ GameChangerWorld (Lab)

Get your tickets here.

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In Album Review Tags music
Photo credit:&nbsp;Chris Bauer,&nbsp;@cbauerphoto

Photo credit: Chris Bauer, @cbauerphoto

Welcome Home: The St. Louis rockers are truly ‘Just Happy To Be Here’

September 7, 2016

Welcome Home basically live on the road. The St. Louis alt rockers spent 34 days on the road in May and June, followed by another 12 come July. They have found their pace, and though it’s not always easy—especially when the AC breaks down two days into a 34-day summer tour—they wouldn’t have it any other way. “You kind of just get lost in the routine of driving, unloading, playing, meeting all these cool people, and then you just pack up and leave,” bassist Kenny Ruiz says. “I think the weirdest part was my mom calling me everyday and being like, ‘So where are you at now?’ and I’d be eight hours from where I was the day before. But it was the best summer of my life.”

With their sights already set on a tour for late fall, they have no plans on slowing down. The group has its roots in St. Louis, where vocalist Nick Pirrone made Welcome Home a reality, recruiting Aaron Selby (guitar), Ruiz (bass) and brothers Austin Jones (guitar) and Brandon Jones (drums) to finish the lineup. They started out as friends in a local scene, growing closer as they took to the touring lifestyle.

“The music scene in St. Louis is great,” Ruiz says. “With touring the country, you kind of see how every scene is different. St. Louis is definitely unique and special to where it’s basically what we grew up with. We’d go out and see everyone playing shows.

“But the biggest decision we had to make is more or less rather than playing St. Louis twice every month, we’re now trying to play St. Louis once every six months and just continue playing new markets all the time. So we’re kind of trying to just establish ourselves, more or less, as a consistently touring band.”

Yet this time on the road is what have given this band their sound—and their experience. The young band, who only solidified their lineup a year and a half ago while wrapping up their second EP, “Where All My Hope Was Buried,” has conquered a feat that can take years for a band to do. For, in that year and a half, Welcome Home have not only produced and released their debut record, but it’s a solid first album at that.

Just Happy To Be Here is brimming with pounding rhythms and emotionally raw vocals, mangled with compelling bass lines and guitar riffs that could be described as both polished and jagged, put together and pulsating. Tracks like “Foolish” slow down the pace of the record, placing an emphasis on Pirrone's commanding vocals, with songs like “Wait” boasting the group's full, impassioned composition—a sound that is specifically Welcome Home.

The record was produced in St. Louis, and it was a group’s worth of effort and influence that created an album that’s as potent in pop punk as it is laden with rousing alt rock. The band thrived in the studio and the team they worked alongside—a winning combination that helped create a cohesive and compelling freshman release. They recorded with Cody James, who they also worked with on their first EP. "Bringing a familiar face like Cody in to the recording process really made the recording process extremely fun and relaxing," Ruiz says. "Cody is one of the nicest and most talented people we know, and we've recorded with him before, so it wasn't much of a thought whether or not he was going to be apart of it." 

Photo credit:&nbsp;Casey Watson, @caseyaudiobot

Photo credit: Casey Watson, @caseyaudiobot

They also worked alongside Allen Hessler—a man behind so many of the best artists in the scene. “We brought in this guy Allen Hessler, and he’s worked with Real Friends, The Wonder Years, Motionless In White. I mean, his resume speaks for itself,” Ruiz says. “It was a little daunting at first. You know, having that big name come and work with us.”

But working with the big name—daunting or not—seems to have paid off. They’re playing to audiences who are singing along, and it’s blowing them away. When we chat, the group were just decompressing after a house show in Terre Haute, Indiana—which, Ruiz believes, is one of the best shows they've ever played. For them, returning to a venue and seeing the passionate interaction is what they live for.

“There were familiar faces singing the songs, but then there were people that maybe have seen us before, but we just had never had the chance to converse with them. But there were definitely people that I didn’t recognize that were singing the songs,” Ruiz says. “With the new record being out, it was weird looking up and seeing people sing the songs we’ve been playing for months now, but now everyone can actually hear it and own it. It was just cool.”

But being back at home is just as exciting. With an album release show marking their first hometown gig in six months (“We’re itching to be back home,” Ruiz says), Welcome Home are taking it full circle. And really, they’re just happy to be here.

Want more Welcome Home? Pick up a copy of Just Happy To Be Here here, and check out their social links below.

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In Band Profile Tags band, profile
Photo credit:&nbsp;Lily Pearl McLaughlin Photography

Photo credit: Lily Pearl McLaughlin Photography

Dead Fall: Ohio pop punkers on their game-changing EP 'Desperate Situations'

August 24, 2016

This has been the year for Ohio-based pop punkers Dead Fall. When we sat down to chat, you’d never guess that these humble guys have hit some awesome milestones—they’re simply grateful for it all. But after kicking off 2016 with the release of their EP Desperate Situations, the group is finally starting to feel like they’re gaining some momentum—and they have the proof to back it up.

Their latest release has proven they have found their sound in the genre. Since 2013, they've been slowly figuring it out. Now people are responding, and their successful EP kickoff simply made them realize that they're on the right track.

“That was the biggest like, ‘Oh shit. People are singing these words. They actually know them,’” vocalist Jake Gambatese says of their EP release show. “People were getting on stage, singing along with us. It was pretty cool.”

And as they take the stage at Mahall’s in Cleveland, the guys exude a kind of entrancing energy, all driven by the band's understanding of how to put on a dynamic show. “The more shows we play, I feel like the better we understand how to play live,” Gambatese says.

"FOR ONCE IN MY LIFE I FEEL LIKE I HAVE A PURPOSE!" From our EP release at The Grog Shop 1/9/16. 📷: @garlicjunior_

A photo posted by Dead Fall (@deadfallofficial) on Feb 11, 2016 at 11:37am PST

And the local scene has given them these opportunities to play live; it's one of the few places where any band in the scene would wish to get their start. Based in the college town of Kent, Dead Fall have found a way to thrive in a space that’s as supportive as it is stimulating—a connection to a group of people who are all trying to do the same thing.

In their formative years, the band would take any opportunity thrown their way—it didn’t matter how many shows were in a month, or what genre they were (yes, rap included). But every experience has influenced their sound and the product they’re creating, which may be why they’re not the easiest to nail down.

Nick Barker provides the band’s throbbing beats, with Anthony Lupica and Ryan Task yielding searing guitar riffs, Seth Holt bringing the bass and Gambatese rounding off the effort with rough-around-the-edges vocals. The group finds a way to stray from the cookie-cutter pop punk equation by throwing in post-hardcore breakdowns (“In The Way”) and finding a comfort in slowing down with melodic, acoustic-driven tracks as well (“Deadline”).

Though 2016 may slowly be coming to a close, it's still a promising look ahead for the group. They're hoping for more recording and more rad gigs, with a game-changing opportunity to open for pop punk powerhouses Neck Deep come September. The guys are finally seeing their hard work pay off, and if anything is evident after this year’s success, it’s that Dead Fall has nowhere to go but up.

Want more Dead Fall? Pick up a copy of Desperate Situations here, and check out their social links below.

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In Band Profile Tags band, music

Life Lessons: 'I Know What I’m Not' helped them find what they are

August 10, 2016

Oklahoma City-based pop punkers Life Lessons had quite a July. They dropped a new EP, I Know What I'm Not, toured the East coast with Sudden Suspension and, when I chatted with them, were catching their breath after playing a set in Cleveland, Ohio. They're 15 hours from home, and people knew their lyrics—saying they were blown away would be an understatement.

But it's moments like this that they've experienced on the road, and touring on their most recent release has been their top priority. “We’re just trying to tour hard right now. Get in front of people. That’s all that matters,” says vocalist Kaden Birdsong. “If we get in front of people, we think, and hope, that we can impress them.”

“We hope that we can make a good impression,” chimes in guitarist Alex Akins. “Or at least some kind of impression.”

And an impression is what they’ve made—whether they want to admit to it or not. Hailing from Oklahoma City, Life Lessons have been recording and releasing music since 2013. But it was 2015’s What The Silence Meant, their first “real” EP, with Birdsong on vocals, Akins on guitar, Chris Lewis on drums, Josh O'Dell on guitar/vocals and Andrew Wasson on bass, that truly solidified what the band wanted to become.

After years of developing their sound in a home scene saturated with hardcore, the pop punkers have found a mix between emo and pop punk, with ardent vocals, dynamic guitar riffs and thundering drum beats reflecting the likes of Knuckle Puck and The Wonder Years.

Coming from an area where hardcore reigns supreme, the guys had to find what they wanted to create—and make that stick. “When we started writing the songs for this last EP, that is when we started feeling really confident in what we were doing. We were like, ‘No, we’re making solid music. We need to tour. We need to push.’ I’m proud of where we are right now," says Birdsong. "We’re going hard. Oklahoma needs to be put on the map by a couple bands.”

Oklahoma City may not be a pop punk capital of the world—the scene isn’t as saturated as Chicago, or even Cleveland, where the guys are at tonight. But there’s a spark there. Young people are starting bands and coming out to shows. The guys think back to 2012 when the scene was thriving, and they’re excited to see that there's life flowing back through it again. They don’t see a positive response to their EP as simply a testament to themselves—it’s for the local scene as a whole.

“It’s kind of nice for the community, as opposed to just ourselves,” says Akins. “The people that were around then know what it was like, as opposed to the newer kids that when you show them one of the videos [from 2012], they’re just like, ‘That’s a local show?’ ‘Yeah, that’s a local headliner.’”

“The rest of us that were around feel like all the big shows, yeah, we finally have that again,” says Birdsong. “These kids are like, ‘Woah, where did this come from?’"

And this local response is enough to keep the fire going. After a solid release and an exciting year of touring ahead, it shouldn’t be a surprise that they're making a name for themselves. “The EP release show and tour kick off was the first time we’ve been like, ‘Oh shit, there are so many people watching us.’ It was awesome,” says Birdsong. “It was the first time we’ve been like, ‘Damn, if we could do this everywhere, it’d be amazing.’”

And if the humble guys keep up the pace they're at now, they might just be the next big thing.

Want more Life Lessons? Pick up a copy of I Know What I'm Not here, and check out their social links below.

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In Band Profile Tags profile, music
Photo credit:&nbsp;Anam Merchant

Photo credit: Anam Merchant

Chicago-based Bonfires drop new EP, 'A Reason To Get Home'

July 12, 2016

The Windy City has given us some of the best bands in the scene, and Chicago-based Bonfires are proving their worth with their latest EP, A Reason To Get Home, which dropped July 12.

The most notable part about the rockers’ five-track release is the honesty and raw emotion behind each song.

“Untitled” kicks off the EP with instrumentals that set the tone for the rest of the record. Heavy-hitting “Walls,” both lyrically and musically speaking, proves that Brad Harvey, who made his frontman debut with the lead single “Colorblind,” is exactly what this band needs.

"Sympathy" perfectly blends rock/emo elements with poignant lyrics, and "Never Meant" boasts catchy instrumentals. The concluding track, "Colorblind," is one of the most solid tracks on the EP and leaves us wanting more—in the best way possible. (Full-length soon? We can only hope.)

Simply put, Bonfires are well on their way to becoming Chicago’s next big thing. The lead single, “Colorblind,” gave us just a taste of the band’s infectious rock accomplishments. If they haven’t made your playlist yet, they’ll be making an appearance now.

Purchase the full EP on Bandcamp, catch Bonfires on tour and follow their social media links below.

Track listing:
1. Untitled

2. Walls
3. Sympathy

4. Never Meant
5. Colorblind

Tour dates:
Aug. 11: Detroit, MI—The Ritz
Aug. 12: Flint, MI—Flint Local 432
Aug. 13: Berwyn, IL—The Wire
Aug. 14: Minneapolis, MN—The Garage
Aug. 16: Iowa City, IA—Blue Moose
Aug. 17: Indianapolis, IN—Irving Theatre
Aug. 19: Lakewood, OH—The Foundry Concert Club
Aug. 21: Syracuse, NY—The Vault
Aug. 23: Providence, RI—Dusk
Aug. 24: Brooklyn, NY—Gold Sounds
Aug. 25: Amityville, NY—Amityville Music Hall
Aug. 26: Vineland, NJ—The Oak Tavern
Aug. 27: Easton, MD—The Dummeyer (29340 Golton)
Aug. 28: Pittsburgh, PA—Smiling Moose

Bonfires
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In Music News Tags news, band, review
Photo credit: Kylie Rebecca Photography

Photo credit: Kylie Rebecca Photography

Marina City: Chicago's "lost boys" are finding their way

July 6, 2016

Think about four-year growth in terms of high school. By the time senior year rolls around, there’s a good chance that things have finally sorted themselves out.

Like those high school years, Marina City has four years and three EPs under their belt. With their fourth release set to drop this summer, the band has made it clear that their “senior year” is proving to be their year on top.

The self-proclaimed “aggressive pop rockers” have a list of impressive feats and are included on almost every must-see list for both Warped Tour and Riot Fest. But that doesn’t mean that they have it all figured out. "I think we're getting closer to what we really want to do," Ryan Argast (lead vocals) says. "It's just evolving every day right now."

In fact, the past four years have consisted of trying, and trying some more. Their sound blends A Fever You Can’t Sweat Out theatrics with Infinity On High's powerful melodies, proving that Marina City has found its roots in the scene. But the band doesn't want to be pigeonholed into one specific genre, and after giving their discography a listen, it’s a valid argument to make.

Eric Somers-Urrea provides driving beats, Todor Birindjiev and Brian Johnson supply addictive riffs, Matthew Gaudiano’s use of keyboard bestows a magical melody, and Aaron Heiy’s bold strums on the bass are all directly complimented by what sets them apart most: the group’s three vocalists. Argast and Gaudiano’s silky smooth vocals combined with Johnson’s rough-around-the-edges sound truly defines the six piece's aggressive pop rock sound.

The group just finished an East Coast run with pop punkers and fellow Chicago natives Sleep On It, and it’s the windy city scene that has helped them get where they are. In fact, they took home the 2016 Band of the Year award at the annual Chicago Nightlife Awards. “We’re very into being Chicago-ans, and everyone around us is like that,” Argast says. “The local scene has been absolutely amazing. It’s getting stronger and stronger every day, so we are very lucky to be a part of that.”

And this success has spread much further than their Chi-town home base. They claimed the Ernie Ball Battle of the Bands champions title in 2015—and got all the opportunities that go with it.

One such Ernie Ball champ reward? A run on Warped Tour come July. “We’ve all started working out regularly, like no joke,” Argast says. “We learned that we were going to be on Warped Tour in October, and since that it’s been nothing but preparing mentally and physically about how we’re going to do it. Because it’s an opportunity that you get once in a lifetime, and we want to take over.”

Expecting East coast or Midwest tour stops—the band’s typical treading ground—they weren’t expecting a West Coast run. “I think it’s actually a positive that they gave us all West coast Warped Tour dates because it’s a challenge for us, and we love challenges,” Birindjiev says.

And just like their senior year Warped win, the guys have also had the chance to work with the likes of Craig Owens (of Chiodos fame) and John Feldmann (who’s worked with the likes of Panic! At The Disco, Blink-182, Good Charlotte, All Time Low—the list could go on) this spring.

“In one month we recorded with Feldmann and Craig, and it was so eye-opening,” Argast says. “We learned more in that month than we did in about four years as a band. Both of those guys are amazing individuals and incredible musicians and producers.”

And their exciting year isn’t over yet.

Looking at their successes, it’s clear that the challenges they’ve taken on have paid off. As they prepare for a release of their fourth EP, Lost Doesn’t Mean Alone, it's obvious that these guys really aren’t lost at all. They’re well on their way for something bigger.  “We work on this band 24/7,” Argast says. “Be prepared for Warped Tour and Riot Fest, and we’ll see where the band goes from there.”

Want more Marina City? Preorder their EP here, and be sure to check out their social links below.

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Photo credit: Adam Elmakias

Photo credit: Adam Elmakias

Q&A: ADAM ELMAKIAS FOR DRAKE MAGAZINE ONLINE

February 7, 2016

[All photo credit: Adam Elmakias]

Growing up in Madison, Wisconsin, Adam Elmakias spent most of his time at local gigs. Then he picked up a camera and decided to bring it along “just for fun.”

Fast-forward a few years, and Elmakias has toured with the likes of A Day to Remember and All Time Low, creating a career as a music photographer by simply doing what he loves.

Drake Mag: Let’s take it back to the beginning. How did you get your start as a music photographer? 

Adam Elmakias: I would go to a lot of indie shows and the more “scene” shows in the Madison area, and I was also friends with the guy who booked the hardcore metal shows. From there, I was able to grow my network to go to The Rave or the House of Blues Chicago, but it all started at smaller local shows.

DM: What’s your favorite part about shooting at these smaller, more intimate venues versus larger stages? 

AE: I’d rather shoot at a hardcore show since kids are there because they really love the music. I also like when there’s not a barrier between the stage and the crowd. A Day to Remember played a few small shows in the past few years, and that’s where you can really see them connect with their fans.

DM: Now, when you’re traveling on larger scale tours, you take thousands of photos every night. How do you pick your favorites? 

AE: A good live photo puts you in the moment. That was pretty cliché to say, but I think a live photo bounces off your eye, kind of like a firework. You see it for a second, and that’s long enough for you to really enjoy it. There’s a lot going on at a concert, and to control somebody’s eye and show them exactly what you’re seeing, that’s what I think it’s all about.

DM: Speaking of favorites—have you had any standout artists to work with? 

AE: Well, my favorites are more who I’ve worked with the longest, just because I’m the closest with them. So, All Time Low, A Day to Remember, and Pierce The Veil are my favorites ... But I really enjoy working with Lindsey Stirling, and I’ve only worked with her for a little bit. She’s an awesome violinist, a really nice person, and I enjoy her lifestyle.

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DM: These are just a few of the artists featured in your “Your Music Photographer” magazine. What made you decide to put something like this together in the first place? 

AE: The magazine was something I just wanted to do for fun, and it went over really well. The main goal was to make something that I could hand out to all the people I work with to say, “Hey, this is something I’m proud of.” It’s a publication where I can publish all the photos I want to publish, not just what the magazines think will sell well.

DM: What was your thought process putting this magazine together, and what’s the response been like? 

AE: I wanted to put the crowd on the front and make it more about the photographs and the stories that go with them. It was a way for me to prove to myself that people aren’t just interested in who they [the photographs] are of, and it’s more the photographs themselves. I’m happy people love it so much. I’m working on my second one, and it’s going to come out in May.

DM: When you started out, you learned photography on your own. How does it feel knowing your work is helping people who are starting out the same way you did? 

AE: It’s a good feeling. I’m writing my first online workshop, “Anyone Can Be a Photographer,” and I’m basically starting at the beginning. I think it’s a good way to give back, and I hope that people start with me and learn. I’d love to see their photography and hopefully meet up with them later in their lives. We’ll see how this pans out.

DM: It’s cliché to ask, but we’ll do it anyway: What’s your favorite part about your job? 

AE: This changes every time I get the question, but [I think it’s] going to new places with new people. I love touring with the bands I’m friends with, but I’m excited to be touring with other artists and seeing where I can go with them.

DM: What are your plans for the rest of 2016?

AE: I’ve got two more magazines coming out this year, I have a YouTube series, plus I have tours, but I can’t really announce them yet. Other than that, I look forward to spending time doing my own personal stuff. Sometimes, because life is so crazy on the road, doing normal things at home becomes the most exciting thing ever. I look forward to the next time I get to go grocery shopping.

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Photo credit: Sam Fathallah

Photo credit: Sam Fathallah

On Tour With 7 Minutes In Heaven for 'Drake Magazine Online'

January 7, 2016

It’s not very often that you walk into a show and catch the vocalist wearing a onesie. But when Chicago-based pop-punk band 7 Minutes in Heaven took the stage at Vaudeville Mews in Des Moines, vocalist Alex Rogers was proudly sporting penguin footie pajamas. “Today is penguin appreciation day,” he says.

And is this the craziest thing to happen on tour? Not a chance.

Just the night before, the band’s tour van slid off the road. The trailer jack-knifed, and sparks flew. It was as badass as it was terrifying. “We’re alive though,” guitar and vocalist Timmy Rasmussen says.

And this just seems to be the kind of lifestyle 7 Minutes in Heaven is used to. The band started as Rasmussen’s solo project in 2012. But Rogers (vocals/bass) and Justin Mondzak’s (guitar) addition seemed to be exactly what 7MIH needed to find their sound, combining pop/punk/rock elements with catchy, can’t-help-but- sing-a-long choruses.

After touring and releasing “The Statement: Deluxe” at the end of 2014, they started off 2015 on the road with the first part of the Cold Kids and Campfires Tour. After that, the band started writing the band’s newest offering “Side Effects.”

Fast-forward one year, and the band is starting off 2016 with the Cold Kids and Campfires Tour Part 2—hitting 11 Midwest cities in 11 days—living the tour life, complete with “shitty fast food and really long smoke breaks,” bringing a summer campfire vibe to each frozen Midwest city along the way.

Lanterns light the stage in the dim venue, and Rasmussen and Mondzak strum the opening chords to “Firework,” which quite literally begins the acoustic show with a bang. Rogers’ commanding vocals start the tune, and concertgoers join right in.

“This is our first tour promoting the EP,” Rogers says, “And kids have been singing along to our new songs. We never really expected that.”

“Side Effects,” was released in December, hitting No. 1 on Billboard’s Alt New Artist chart and reaching the top 10 on the iTunes Alternative Charts.

“This is the first time that we’ve written together as a band,” Mondzak says. “We found out how each other writes and what our thought process is during the recording.”

Rogers agrees. “This EP kind of decided our path, solidifying what we’re about as a band.”

Their identity as a band is even more important than most. As an unsigned band, they don’t have a record label to lean on. They rely on the fans for survival in the oversaturated online music environment. “It’s fun being able to make something happen because you have this relationship with these people,” Rogers says.

Plus, they’ve found that the Midwest might just be the place to kick start a music career.

Rogers remembers “the glory days” when America’s flyover states were a musical hub. And then it lost momentum. The music scene filled with “shitty metal bands,” but authentic pop-punk is finding its focus back on Midwest talent. “Like the economy, it takes a couple years of something happening for it to actually take effect,” Rogers says. “And I feel like in the Midwest specifically, we have all eyes back on us.”

With bands like Knuckle Puck and Real Friends coming out of Chicago, 7MIH is ready to make their name known.

“Most of the time, we are written off as this ‘scene pop wannabe,’” Rogers says.

“We want to be a part of that pop punk [scene],” Rasmussen says. “We want pits, we want crowd surfers.”

And with So What?! festival up next for 2016, they are listed alongside some of the biggest names in pop punk today—think State Champs, Neck Deep, and more.

It’s their first festival. Another trip across the country, another story to tell. And to them, that’s what being in a band is all about.

“Like yesterday, for example,” Rogers says in agreement.

“We could be dead today, but we’re not,” Rasmussen adds. “Now we can tell that story.” 

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